Journal of Philosophical Investigations
Ontology of Time in Cinema; a Deleuzian reading of Still Life and Prince Ehtejab with an emphasis on the concept of Time-Image*
Ontology of Time in Cinema; a Deleuzian reading of Still Life and Prince Ehtejab with an emphasis on the concept of Time-Image*

علی فتح طاهری؛ فائزه جعفریان

دوره 11، شماره 21 ، دی 1396، ، صفحه 39-52

چکیده
  Gilles Deleuze, the notable post-modern philosopher, in his two-volume cinematic books Cinema 1: movement-image (1986) and Cinema 2: time-image (1989) recognizes two major periods in history of cinema (classic and modern) in terms of representing movement and time respectively. Referring to various films of modern cinema especially post-war European cinema like ...  بیشتر