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<Article>
<Journal>
				<PublisherName>University of Tabriz</PublisherName>
				<JournalTitle>Journal of Philosophical Investigations</JournalTitle>
				<Issn>2251-7960</Issn>
				<Volume>11</Volume>
				<Issue>21</Issue>
				<PubDate PubStatus="epublish">
					<Year>2017</Year>
					<Month>12</Month>
					<Day>22</Day>
				</PubDate>
			</Journal>
<ArticleTitle>Ibn Tufail as a SciArtist in the Treatise of Hayy Ibn Yaqzan</ArticleTitle>
<VernacularTitle>Ibn Tufail as a SciArtist in the Treatise of Hayy Ibn Yaqzan</VernacularTitle>
			<FirstPage>81</FirstPage>
			<LastPage>91</LastPage>
			<ELocationID EIdType="pii">16152</ELocationID>
			
			
			<Language>FA</Language>
<AuthorList>
<Author>
					<FirstName>Nadia</FirstName>
					<LastName>Maftouni</LastName>
<Affiliation>Associate Professor, University of Tehran</Affiliation>

</Author>
</AuthorList>
				<PublicationType>Journal Article</PublicationType>
			<History>
				<PubDate PubStatus="received">
					<Year>2017</Year>
					<Month>03</Month>
					<Day>16</Day>
				</PubDate>
			</History>
		<Abstract>&lt;em&gt;Ibn Tufail as a scientist as well as an artist exposes the issues of human anatomy, autopsy, and vivisection and, thereby, could be regarded as a SciArtist. SciArt might be defined as a reciprocal relation between art and science. Followings are the kinds of these interactions: &lt;/em&gt;&lt;em&gt;artistically-inclined scientific activities,&lt;/em&gt;&lt;em&gt; &lt;/em&gt;&lt;em&gt;science-minded artistic activities, and&lt;/em&gt;&lt;em&gt; intertwined scientific and artistic activities&lt;/em&gt;&lt;em&gt;. In their fictional treatises, Avicenna, &lt;/em&gt;&lt;em&gt;Ibn &lt;/em&gt;&lt;em&gt;Tufail, and Suhrawardi are traditional avatars of &lt;/em&gt;&lt;em&gt;SciArt. This paper frames an account of SciArt, suggesting in detail Ibn Tufail’s work as a prototypical example, while &lt;/em&gt;&lt;em&gt;Avicenna and Suhrawardi go beyond the scope of this paper. &lt;/em&gt;&lt;em&gt;An instant of intertwined scientific and artistic activities strongly captivates the attentions to Ibn Tufail, describing human anatomy, autopsy, and vivisection in his Treatise&lt;strong&gt; &lt;/strong&gt;of Hay Ibn Yaqzan. Recognized as the first philosophical story, Hay Ibn Yaqzan depicts the whole philosophy of Ibn Tufail by the story of an autodidactic feral child a gazelle raised whom in an island in the Indian Ocean. &lt;/em&gt;</Abstract>
			<OtherAbstract Language="FA">&lt;em&gt;Ibn Tufail as a scientist as well as an artist exposes the issues of human anatomy, autopsy, and vivisection and, thereby, could be regarded as a SciArtist. SciArt might be defined as a reciprocal relation between art and science. Followings are the kinds of these interactions: &lt;/em&gt;&lt;em&gt;artistically-inclined scientific activities,&lt;/em&gt;&lt;em&gt; &lt;/em&gt;&lt;em&gt;science-minded artistic activities, and&lt;/em&gt;&lt;em&gt; intertwined scientific and artistic activities&lt;/em&gt;&lt;em&gt;. In their fictional treatises, Avicenna, &lt;/em&gt;&lt;em&gt;Ibn &lt;/em&gt;&lt;em&gt;Tufail, and Suhrawardi are traditional avatars of &lt;/em&gt;&lt;em&gt;SciArt. This paper frames an account of SciArt, suggesting in detail Ibn Tufail’s work as a prototypical example, while &lt;/em&gt;&lt;em&gt;Avicenna and Suhrawardi go beyond the scope of this paper. &lt;/em&gt;&lt;em&gt;An instant of intertwined scientific and artistic activities strongly captivates the attentions to Ibn Tufail, describing human anatomy, autopsy, and vivisection in his Treatise&lt;strong&gt; &lt;/strong&gt;of Hay Ibn Yaqzan. Recognized as the first philosophical story, Hay Ibn Yaqzan depicts the whole philosophy of Ibn Tufail by the story of an autodidactic feral child a gazelle raised whom in an island in the Indian Ocean. &lt;/em&gt;</OtherAbstract>
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			<Param Name="value">Hay Ibn Yaqzan</Param>
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<ArchiveCopySource DocType="pdf">https://philosophy.tabrizu.ac.ir/article_16152_78b72db78f7a57752f79b44ad3e3ebcc.pdf</ArchiveCopySource>
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