<?xml version="1.0" encoding="UTF-8"?>
<!DOCTYPE ArticleSet PUBLIC "-//NLM//DTD PubMed 2.7//EN" "https://dtd.nlm.nih.gov/ncbi/pubmed/in/PubMed.dtd">
<ArticleSet>
<Article>
<Journal>
				<PublisherName>University of Tabriz</PublisherName>
				<JournalTitle>Journal of Philosophical Investigations</JournalTitle>
				<Issn>2251-7960</Issn>
				<Volume>13</Volume>
				<Issue>26</Issue>
				<PubDate PubStatus="epublish">
					<Year>2019</Year>
					<Month>05</Month>
					<Day>22</Day>
				</PubDate>
			</Journal>
<ArticleTitle>The Status of Lived Experience from the Perspective of Philosophy of Body in Process of Designing and Creating Place</ArticleTitle>
<VernacularTitle>The Status of Lived Experience from the Perspective of Philosophy of Body in Process of Designing and Creating Place</VernacularTitle>
			<FirstPage>25</FirstPage>
			<LastPage>52</LastPage>
			<ELocationID EIdType="pii">8023</ELocationID>
			
<ELocationID EIdType="doi">10.22034/jpiut.2019.8023</ELocationID>
			
			<Language>FA</Language>
<AuthorList>
<Author>
					<FirstName>Ali</FirstName>
					<LastName>Akbari</LastName>
<Affiliation>Assistant Professor, Architecture Department, Art &amp; Architecture Faculty, Yadegar-e-Imam Khomeini (RAH) of Shahre Rey Branch, Islamic Azad University, Tehran, Iran.</Affiliation>

</Author>
<Author>
					<FirstName>Mahdieh</FirstName>
					<LastName>Niroomand Shishavan</LastName>
<Affiliation>Master of Architecture, Architecture and Urbanism Faculty, Art University of Isfahan, Isfahan, Iran.</Affiliation>

</Author>
</AuthorList>
				<PublicationType>Journal Article</PublicationType>
			<History>
				<PubDate PubStatus="received">
					<Year>2017</Year>
					<Month>10</Month>
					<Day>30</Day>
				</PubDate>
			</History>
		<Abstract>By the rise of human advancements in the era of the digital technology revolution, Illustration in all aspects of human life, especially in the creation of artwork and architecture, surpassed. In such a way, the focus of attention is on the eyes and sight of the human being. This has been expanded in the process of designing and creating space. The illustration is the basic principle of architectural design, and the neglecting of other senses reduces the level of human perception and consciousness from the space. Accordingly, it can be questioned: What is the relation of the body with space? What the role of lived experience in the process of creating a place is? In this research, it has been attempted to answer these questions based on the philosophical basis of interpretation with the qualitative approach. The results of the discussion show that the components of the design process and the creation of place are found to be eternal, based on &quot;eternal life dimensions of man&quot; including his &quot; lived experience&quot;, &quot;fictitious forms in embodied memory,&quot; and &quot;Collective and individual memories&quot;. In presentation of design process model, creating place, while responding to the practical aspect, immediately begins its journey into the world of imagination, interdisciplinary imagination, myths, and the metaphorical meaning of the presence of man, which is in the light of his consciousness, and is based on his experience of life, and all his scientific and professional skills to achieve the best respond.</Abstract>
			<OtherAbstract Language="FA">By the rise of human advancements in the era of the digital technology revolution, Illustration in all aspects of human life, especially in the creation of artwork and architecture, surpassed. In such a way, the focus of attention is on the eyes and sight of the human being. This has been expanded in the process of designing and creating space. The illustration is the basic principle of architectural design, and the neglecting of other senses reduces the level of human perception and consciousness from the space. Accordingly, it can be questioned: What is the relation of the body with space? What the role of lived experience in the process of creating a place is? In this research, it has been attempted to answer these questions based on the philosophical basis of interpretation with the qualitative approach. The results of the discussion show that the components of the design process and the creation of place are found to be eternal, based on &quot;eternal life dimensions of man&quot; including his &quot; lived experience&quot;, &quot;fictitious forms in embodied memory,&quot; and &quot;Collective and individual memories&quot;. In presentation of design process model, creating place, while responding to the practical aspect, immediately begins its journey into the world of imagination, interdisciplinary imagination, myths, and the metaphorical meaning of the presence of man, which is in the light of his consciousness, and is based on his experience of life, and all his scientific and professional skills to achieve the best respond.</OtherAbstract>
		<ObjectList>
			<Object Type="keyword">
			<Param Name="value">Multi-sensory Perception</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Philosophy of Body</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">lived experience</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Architecture of Senses</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Creating Place</Param>
			</Object>
		</ObjectList>
<ArchiveCopySource DocType="pdf">https://philosophy.tabrizu.ac.ir/article_8023_780a72f85f671bf55fd5d20f3d75db74.pdf</ArchiveCopySource>
</Article>
</ArticleSet>
