دانشیار زبان و ادبیات انگلیسی - دانشکده ادبیات و زبانهای خارجی - دانشگاه تبریز - ایران
چکیده
No special definite definition does exist for postmodernism however it has had an inordinate effect on art, architecture, music, film, literature, philosophy, sociology, communications, fashion, and technology. The main body of this work can be seen as an admiration and reverence for the values and ideals associated with postmodern philosophy as well as postmodern literature. , I have argued that postmodern has mainly influenced philosophy and literature and they are recognized and praised for their multiplicity. Postmodernism might seem exclusive in its work, its emphasis on multiplicity and the decentered subject makes very uncomfortable reading for traditional theorists or philosophers. It rejects western values and beliefs as only small part of the human experience and it rejects such ideas, beliefs, culture and norms of the western. Integrity is fragmented apart into unharmonious narratives which lead to a shattering of identity and an overall breakdown of any idea of the self. Relativism and Self- reflexivity have replaced self-confidence due to the postmodern belief that all representation distorts reality. I have also referred that in a sense; postmodernism is a part of modernism we find the instantaneous coexistence of these two methods of expression and thinking, especially in visual arts and literature.
Associate Professor English Language and Literature Department- -University of Tabriz- Iran
چکیده [English]
No special definite definition does exist for postmodernism however it has had an inordinate effect on art, architecture, music, film, literature, philosophy, sociology, communications, fashion, and technology. The main body of this work can be seen as an admiration and reverence for the values and ideals associated with postmodern philosophy as well as postmodern literature. , I have argued that postmodern has mainly influenced philosophy and literature and they are recognized and praised for their multiplicity. Postmodernism might seem exclusive in its work, its emphasis on multiplicity and the decentered subject makes very uncomfortable reading for traditional theorists or philosophers. It rejects western values and beliefs as only small part of the human experience and it rejects such ideas, beliefs, culture and norms of the western. Integrity is fragmented apart into unharmonious narratives which lead to a shattering of identity and an overall breakdown of any idea of the self. Relativism and Self- reflexivity have replaced self-confidence due to the postmodern belief that all representation distorts reality. I have also referred that in a sense; postmodernism is a part of modernism we find the instantaneous coexistence of these two methods of expression and thinking, especially in visual arts and literature.
- Abrahamm, F. (2007). Perspectives on Modern American Literature. India, ABD Publishers.
- Bradshaw, D. K. D. J. (2008). Companion to Modernist Literature and Culture, Wiley-Blackwell. Blackwell Publishing.
- Casey, E. S. (1997). The Fate of Place: A Philosophical History. London, University of Califronia Press.
- Khosravishakib, M. (2012). "International Journal of Arts." 2(1): 1-5.
- Lumen, L. (2012). Postmodern Quests in Applied Philosophy. Romania, Luman Publishing House.
- Lyotard, J. (1997). Postmodern Condition: A Report on Knowledge. United Kingdom, Manchester UniversityPress.
- McCullough, L. (2015). A sense of regard Essays on Poetry and Race. Athens, Georgia, University of Georgia Press.
- Newton, K. M. (2008). Modern Literature and the Tragic. Edinburgh, Edinburgh University Press Ltd.
- Parsons, D. (2007). The Theories of the Modern Novel. London, Routledge.
- Pietrzak, W. (2011).Myth, Language and Tradition: A Study of Yeats, Stevens and Eliot in the Context of Heidegger’s Search for Being. Cambridge Scholars Publishing. London.
- Proctor, B. (2012). A Definition and Critique of Postmodernism. United States of America, Institute of Chicago.
- Simons, J. S. (1995). Foucault and the Political. London, Routledge.
- Singh, I. (2008). Mythmaking cinema. Philosophy in Film. London, The MIT Press. Cambridge.
- Singh, P., R., (2011) Consumer Culture and Postmodernism, Postmodern Openings, Year 2, No. 5, Vol. 5, March, Year 2011.
- Zizek, S. (2012). Less than nothing: Hegel and Shadow of Dialectical Materialism. Published by Verso. London. New York.
ابتدای صفحه