Assistant Professor, Islamic Sciences and Culture Institute (ISCA)
Abstract
This paper aims to provide an aesthetic foundation for Jürgen Habermas’s theory of “Communicative Rationality”. It argues that Immanuel Kant's “Critique of the Power of Judgment” and his unique understanding of aesthetics is efficiently useful in illustrating the logic beyond that Habermas’s innovative theory of communicative rationality. Also it investigates the claimed relation between Theodor Adorno’s explanation of modern art and Habermas’s solutions for getting over the unwelcomed self-alienation process within the contemporary society. Finally it suggests that Adorno’s attention to independent art, unlike Kant’s explanation of aesthetics, is not helpful in shedding light on hidden aesthetic aspects of “communicative rationality”.
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Moballeghi, A. (2014). Aesthetic logic of Communicative Rationality in Habermas’s Thoughts and Its Relation with Kant's Critique of the Power of Judgment and Adorno's Modern Art. Journal of Philosophical Investigations, 8(15), 91-110.
MLA
Moballeghi, A. . "Aesthetic logic of Communicative Rationality in Habermas’s Thoughts and Its Relation with Kant's Critique of the Power of Judgment and Adorno's Modern Art", Journal of Philosophical Investigations, 8, 15, 2014, 91-110.
HARVARD
Moballeghi, A. (2014). 'Aesthetic logic of Communicative Rationality in Habermas’s Thoughts and Its Relation with Kant's Critique of the Power of Judgment and Adorno's Modern Art', Journal of Philosophical Investigations, 8(15), pp. 91-110.
CHICAGO
A. Moballeghi, "Aesthetic logic of Communicative Rationality in Habermas’s Thoughts and Its Relation with Kant's Critique of the Power of Judgment and Adorno's Modern Art," Journal of Philosophical Investigations, 8 15 (2014): 91-110,
VANCOUVER
Moballeghi, A. Aesthetic logic of Communicative Rationality in Habermas’s Thoughts and Its Relation with Kant's Critique of the Power of Judgment and Adorno's Modern Art. Journal of Philosophical Investigations, 2014; 8(15): 91-110.
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