Document Type : Research Paper
Authors
1 University of Religions and Denominations
2 Tehran - Tarbiat Modares University
3 Bagheral Uloom University
Abstract
Undoubtedly, philosophical thoughts in shaping film theory has a lot of effect on the formation of artistic and cinematic works; Nevertheless, the analysis of the film from the perspective of contemporary theories is derived from the foundations of nominalism and conceptualism, which causes many ontological and epistemological problems according to the philosophy that shaped it. Phenomenology provides a realistic framework that can be used to explain the experience of film representation in a way that is rare in film theory. This article tries to deal with the important components of this theory by briefly examining the nature of artistic representation and understanding artworks in phenomenological theory. In this regard, while expressing the perspective of this theory's approach to the film with a descriptive analytical method, how reality and meaning appear in the film world from this point of view and increase the audience's experience in a deep and comprehensive analysis of various elements of the film, including visual language and sound, time And place, space and place of phenomena, light and color are discussed as the components of the link between this theory and the film. As a result, it can be stated that this phenomenological approach not only helps in a deeper understanding of the story and characters, but also strengthens the audience's connection with the context and story world and increases the cinematic experience for the audience.
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