- Adorno, T. W. (1991). Notes to literature, Trans by: S. W. Nicholson, New York: Columbia University Press.
- Adorno, T. W. (2003). Can One Live After Auschwitz?: A Philosophical Reader. R. Tiedemann (Ed.). Redwood City: Stanford University Press.
- Beckett, S. (1954). Waiting for Godot. New York: Grove Press, Inc.
- Bryden, M. (2007). Gilles Deleuze: Travels in Literature. London: Palgrave Macmillan.
- Castle, G. (2013). The Literary Theory Handbook. Chichester: Wiley Blackwell.
- Colebrook, C. (2003). Irony. New York: Routledge.
- Eldridge, R. (2003). An introduction to the philosophy of art. Cambridge: Cambridge University Press.
- Esslin, M. (1968), The Theatre of the Absurd, Harmondsworth: Penguin.
- Federman, R., & Graver, L. (Eds.). (1997). Samuel Beckett. London, England: Routledge.
- Hahn, L. (Ed.). (2000). Perspectives on Habermas. Chicago: Open Court Publishing.
- Hatavara, M., Hyvärinen, M., Mäkelä, M., & Mäyrä, F. (Eds.). (2016). Narrative Theory, Literature, and New Media: Narrative Minds and Virtual Worlds. London, England: Routledge.
- Howard, D. (1976). Moral Development and Ego Identity: A Clarification by Dick Howard. Telos, 1976(27), 176-182. doi:10.3817/0376027176
- Haynes, J., & Knowlson, James (2003). Images of Beckett. Cambridge, UK: Cambridge University Press.
- Hudson, W. H. (2006). An Introduction to the Study of Literature. India: Atlantic Publishers & Distributors.
- Jay, M. (1996). The dialectical imagination: A history of the Frankfurt School and the Institute of Social Research 1923-1950. -Berkeley: University of California.
- Laing, R. D. (1969). The divided self: An existential study in sanity and madness. London: Penguin Books.
- Llewellyn-Jones, M. (2002). Contemporary Irish drama & cultural identity. Bristol: Intellect Books.
- McDonald, R. (2007). The Cambridge introduction to Samuel Beckett. New York: Cambridge University Press.
- Wellek, R. & Warren, A. (1989). Theory of Literature. New York: Harcourt Brance and World.
- Wolosky, S. (1995). Language Mysticism: The Negative Way of Language in Eliot,Beckett, and Celan. Stanford: Stanford University Press
Send comment about this article